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Monday, August 23rd, 2010

Who was the Pharoah of Egypt that is mentioned in the Bible who freed the slaves after the 10 plagues?

Im watching the 10 commandments and they call the pharoah in the movie Ramses, but Im not sure historically if the actual Pharoah was Ramses…..some say it was Thutmose………but i’m not 100 percent certain…………can anyone clear up this issue which i have been wondering about?

The bible just calls him pharaoh.
Plus, Ramses the II was well before the time of Mosses, and it would be impossible,unless he was immortal, to of been the King during that time.

I find it hard to believe that Moses did not know his name, since he was raised by Egyptian royalty. Which begs the question: “Why didn’t Moses refer to his name, if he actually wrote the first six books of the bible?” Also, most Pharaohs during the time were worshiped like Gods, so I find it doubtful that the slaves in the country would not of known his name. This tells me, that someone of the first books in the bible, were written sometime after the bible’s given time.

Take the New Testament for example, the name of historical kings and emperors were mentioned. Like Tiberius and King Herod the II. These men existed, and the NT claims they did during the time of Jesus. Historical accounts coincide with this, though the existence of Jesus is still in question. This tells me that the people who wrote the NT, probably existed during Tiberius’s rule and King Herod’s rule.

Why didn’t Moses mention the Pharaoh’s name, if he wrote the first few books? Even if it was someone else that wrote them, they had to of known his name. The only way they wouldn’t know his name, is if he/she did not live during that time period.


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American Audiences on Movies and Moviegoing


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Tom Stempel has spent more than fifty years sitting in the dark, watching movies and his fellow filmgoers, listening to their comments and reactions. In American Audiences on Movies and Moviegoing, Stempel goes beyond the comments of professional reviewers, concentrating on the opinions of ordinary people. He traces shifting trends in genre and taste, examining and questioning the power films have in American society. Stempel blends audience response with his own observations and analyzes box office results that identify the movies people actually went to see, not just those praised by the critics. Avoiding statistical summary, he presents the results of a survey on movies and moviegoing in the respondents’ own words—words that surprise, amuse, and irritate. The result is a unique perspective on half a century of American cinema—from the audience’s point of view. The moviegoers respond: “All I can recall were the slave girls and the Golden Calf sequence and how it got me excited. My parents must have been very pleased with my enthusiasm for the Bible.” —On why a seven-year-old boy stayed up to watch The Ten Commandments “I learned the fine art of seduction by watching Faye Dunaway smolder.” —A woman’s reaction to seeing Bonnie and Clyde at age fifteen “Jesus said he would be back, he just didn’t say what he would look like.” —On E.T. “Quasimodo is every seventh grader.” —On why The Hunchback of Notre Dame should play well with middle-schoolers “A moronic, very `Hollywoody’ script, and a bunch of dancing teddy bears.” —On Return of the Jedi “Big bad plane, big bad motorcycle, and big bad Kelly McGillis.” —On Top Gun “I couldn’t help but think how Mad magazine would lampoon this.” —On The Exorcist

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